Patsy Cline

Published on

Patsy Cline

One of the greatest singers in the history of country music, Patsy Cline also helped blaze a trail for female singers to assert themselves as an integral part of the Nashville-dominated country music industry. She was not alone in this regard; Kitty Wells had become a star several years before Cline’s big hits in the early ’60s. Brenda Lee, who shared Cline’s producer, did just as much to create a country-pop crossover during the same era; Skeeter Davis briefly enjoyed similar success. Cline has the most legendary aura of any female country singer, however, perhaps due to an early death that cut her off just after she had entered her prime.

Cline began recording in the mid-’50s, and although she recorded material between 1955 and 1960 (17 singles in all), only one of them was a hit. That song, “Walkin’ After Midnight”, was both a classic and a Top 20 pop smash. Those who are accustomed to Cline’s famous early-’60s hits are in for a bit of a shock when surveying her ’50s sessions (which have been reissued on several Rhino compilations). At times she sang flat-out rockabilly; she also tried some churchy tear-weepers. She couldn’t follow up “Walkin’ After Midnight”, however, in part because of an exploitative deal that limited her to songs from one publishing company.

Circumstances were not wholly to blame for Cline’s commercial failures. She would have never made it as a rockabilly singer, lacking the conviction of Wanda Jackson or the spunk of Brenda Lee. In fact, in comparison with her best work, she sounds rather stiff and ill-at-ease on most of her early singles. Things took a radical turn for the better on all fronts in 1960, when her initial contract expired. With the help of producer Owen Bradley (who had worked on her sessions all along), Cline began selecting material that was both more suitable and of a higher quality than her previous outings.

“I Fall to Pieces”, cut at the very first session where Cline was at liberty to record what she wanted, was the turning point in her career. Reaching #1 in the country charts and #12 pop, it was the first of several country-pop crossovers she was to enjoy over the next couple of years. More important, it set a prototype for commercial Nashville country at its best. Owen Bradley crafted lush orchestral arrangements, with weeping strings and backup vocals by the Jordanaires, that owed more to pop (in the best sense) than country.

The country elements were provided by the cream of Nashville’s session musicians, including guitarist Hank Garland, pianist Floyd Cramer, and drummer Buddy Harmon. Cline’s voice sounded richer, more confident, and more mature, with ageless wise and vulnerable qualities that have enabled her records to maintain their appeal with subsequent generations. When k.d. lang recorded her 1988 album Shadowland with Owen Bradley, it was this phase of Cline’s career that she was specifically attempting to emulate.

It’s arguable that too much has been made of Cline’s crossover appeal to the pop market. Brenda Lee, whose records were graced with similar Bradley productions, was actually more successful in this area (although her records were likely targeted toward a younger audience). Cline’s appeal was undeniably more adult, but she was always more successful with country listeners. Her final four Top Ten country singles, in fact, didn’t make the pop Top 40.

Despite a severe auto accident in 1961, Cline remained hot through 1961 and 1962, with “Crazy” and “She’s Got You” both becoming big country and pop hits. Much of her achingly romantic material was supplied by fresh talent like Hank Cochran, Harlan Howard, and Willie Nelson (who penned “Crazy”). Although her commercial momentum had faded slightly, she was still at the top of her game when she died in a plane crash in March of 1963, at the age of 30.

She was only a big star for a couple of years, but her influence was and remains huge. While the standards of professionalism on her recordings have been emulated ever since, they’ve rarely been complemented by as much palpable, at times heartbreaking emotion in the performances. For those who could do without some of more elaborate arrangements of her later years, many of her relatively unadorned appearances on radio broadcasts have been thankfully preserved and issued.



  1. Daryl iler

    March 18, 2019 at 7:19 am

    The first country song i listened to was walking after midnight in the early sixties.great singer.

  2. Diane Bailey

    November 17, 2019 at 4:15 pm

    I am a singer and have been since the mid 50s.. I have always adored Patsy Cline
    Best voice in country music! Still do tributes to her. Pull me up on You tube
    Diane Bailey

  3. Marge Hoffman

    March 5, 2020 at 1:55 pm


  4. Alice Fouts

    March 5, 2020 at 4:11 pm

    My most favorite Country singer… She died on my birthday :(

  5. Marcy

    March 5, 2020 at 7:42 pm

    Diane Bailey….I pulled you up on YouTube and enjoyed your rendition of Patsy’s “CrazY’, but did not like your snarky comment about president Obama.

  6. Cynthia

    March 6, 2020 at 2:29 am

    Marcy: Now I’ve got to look her up just to GIVE her a thumbs up

  7. Betty Connell

    March 6, 2020 at 5:57 pm

    I still think she was the best. I was honored to be requested over and over to sing her songs at karaoke. She was that good and I was told I sounded just like her. Boy, what a compliment!! Can’t get any better than that!! When she died, we all mourned her. Great voice. ☹️

  8. Frank Dominguez

    March 7, 2020 at 10:20 am

    If you Want to Hear Patsy Cline Now! The Closest You’ll Get to hear Her Voice, is Mandy Barnett!!

  9. Allen Finley

    March 7, 2020 at 1:06 pm

    Jackie Finley, in Hickory NC does an amazing traveling show, complete with a wig and Patsy costumes.

  10. Patrick

    March 7, 2021 at 2:12 am

    I love her songs may she rest in peace ️

Leave a Reply

Your email address will not be published.

uDiscover Music - Back To Top
uDiscover Music - Back To Top